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Dance

Updated: Nov 3




Where there is rhythm, there is dance. A cyclist spinning their legs, swinging from side to side to a heartbeat is our dance on a bicycle. This search for rhythm and flow makes us intrigued by the rich tradition of dance connecting Jaffna in the North and Dambulla in the Center of the island along  the A9 route . Here is our learning so far



Jaffna and Kandyan Dance: Shared Elements and Symbolic Heritage

Jaffna's Bharatanatyam and Kandyan dance both hold deep ritualistic value, blending religious reverence with vibrant cultural expressions. In both styles, dance movements are precise and meaningful, encompassing graceful hand gestures, expressive facial expressions, and rhythmic footwork that convey storytelling and spirituality. The dancers’ costumes and jewelry amplify these gestures, reflecting themes of protection, divinity, and cultural pride. Ritual significance also binds these forms; both are performed at ceremonies, festivals, and religious gatherings, invoking blessings and celebrating heritage. 



Jaffna Dance Culture: A Reflection of Tamil Influence

 In Jaffna, Tamil dance culture is deeply rooted in traditional influences, prominently featuring elements from the Tamil epic Silapathikaram, which introduces Santhi Koothu. This genre includes Chokam (pure Nirtha dance) and Mei Koothu, divided into Desi (Tamil country), Vaduku (Telugu region), and Sinhalam (possibly linked to Sinhalese culture). However, descriptions of Sinhalam dance forms are limited, leaving much to historical interpretation. 


The Bharatanatyam costume in Jaffna is symbolic and visually rich, with 10 to 15 ornaments enhancing movement and expression. Crafted from silk in traditional colors like red, green, blue, or purple, often with gold zari borders, the costume’s pleated fan section, often in red or maroon, emphasizes leg movements. Jewelry—headpieces, necklaces, earrings, armlets, bangles, waist belts, and the salangai (anklet with bells)—adds rhythmic sound and elegance, bringing Bharatanatyam’s cultural and spiritual narratives to life with devotion and tradition. 


Regional Dance Variations: Kollatam, Kummi, and Salaku 

The Northern Province of Sri Lanka, particularly areas like Mullaitivu, Mannar, and Vavuniya, showcases unique variations of Tamil folk dances such as Kollatam, Kummi, and Salaku. Kollatam, a stick dance, is popular in Vavuniya, known for its synchronized, rhythmic movements reflecting communal strength. Kummi, prevalent in Mannar, is a clapping dance performed in a circular formation to symbolize unity and celebration. In Mullaitivu, the Salaku dance emphasizes rhythmic footwork and storytelling through hand gestures, often related to the agricultural cycle and local festivals. Each regional dance reflects the diversity within Jaffna's Tamil traditions, adding a unique flavor to the cultural landscape. 


Kandyan Dance: The Sinhalese Cultural Emblem

Contrasting the Tamil-influenced dances of Jaffna, Kandyan dance is central to Sinhalese cultural identity in central Sri Lanka. Rooted in Buddhist traditions and originally associated with royal ceremonies, it emphasizes rhythm, distinct stances, and thandava movements. Kandyan dance styles, such as Ves Netuma and Udekki, are performed at significant festivals, symbolizing welcome and reverence across various ceremonies. 


The Ves dancer’s costume, steeped in ritualistic symbolism, features a color scheme of white, silver, and red. The attire includes 64 intricate ornaments, with a silver headdress adorned with seven spokes representing light or energy. Shells and beads form an apron over the bare torso, while bracelets, mango-shaped earrings, and cobra-shaped arm pieces add complexity. Red accents represent divine power and protection, contrasting with the white pleated cloth and silver forehead plate. Each piece of the costume reflects the sacred nature of the Ves dance, enhancing the visual and spiritual experience for the audience and embodying Sinhalese heritage. 


 Popular Female Dance Genre in Kandyan Dance

Among the popular female dance genres in Kandyan tradition is Udarata Natum, known for its graceful, expressive movements that emphasize femininity. Unlike the vigorous thandava style of male dancers, the female genre focuses on fluid hand gestures, gentle footwork, and emotive facial expressions. Costumes for female dancers are distinct, often incorporating vibrant combinations of red, gold, green, and yellow, reflecting both elegance and a sense of festivity. Elaborate blouses and skirts are adorned with jewelry, including intricate necklaces, bangles, and anklets, accentuating each step with soft rhythmic jingles. Together, these elements highlight the refined elegance of Sinhalese dance heritage, balancing the energetic masculinity of the Ves with a graceful and sacred femininity. 


Costume Color Schemes by Dance Style 




Jewelry Comparison by Dance Style 


This jewelry used in each dance style, shows how ornamentation not only adds aesthetic appeal but also enhances the rhythmic, expressive quality of movements across Sinhalese  and Tamil dance traditions. 

Road is our teacher and we weill  embracing this rich dance culture along the A9, It will give more meaning to our journey and adventure while igniting our creativity to  build on for the future. Do have any thoughts on dance , art , culture that we can build on ? . Love to hear your thoughts 




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